Cockerel
Colour linocut relief in a very small edition of twelve only.
Signed and numbered.
Sidey states that Rothenstein considered this to be one of his finest linocuts.
His imagery in many of his prints straddled a divide between figurative portraits and depictions of animals, especially the cockerel, and abstract combinations of form, colour and texture.
Signed and numbered.
Sidey states that Rothenstein considered this to be one of his finest linocuts.
His imagery in many of his prints straddled a divide between figurative portraits and depictions of animals, especially the cockerel, and abstract combinations of form, colour and texture.
Colour linocut relief in a very small edition of twelve only.
Signed and numbered.
Sidey states that Rothenstein considered this to be one of his finest linocuts.
His imagery in many of his prints straddled a divide between figurative portraits and depictions of animals, especially the cockerel, and abstract combinations of form, colour and texture.
Signed and numbered.
Sidey states that Rothenstein considered this to be one of his finest linocuts.
His imagery in many of his prints straddled a divide between figurative portraits and depictions of animals, especially the cockerel, and abstract combinations of form, colour and texture.
$3,244.26
Cockerel—
$3,244.26
Description
Colour linocut relief in a very small edition of twelve only.
Signed and numbered.
Sidey states that Rothenstein considered this to be one of his finest linocuts.
His imagery in many of his prints straddled a divide between figurative portraits and depictions of animals, especially the cockerel, and abstract combinations of form, colour and texture.
Signed and numbered.
Sidey states that Rothenstein considered this to be one of his finest linocuts.
His imagery in many of his prints straddled a divide between figurative portraits and depictions of animals, especially the cockerel, and abstract combinations of form, colour and texture.
