Ice Age I
Signed oil on canvas.
"Wood takes great care to prime his canvases, often four times over, and blends his paints in special ways to produce the satin finish to his skies. He also builds his pictures in such a way that once begun each must be finished in a single sitting which creates a tension that is emotionally draining." Ian Skelly, Christopher P Wood, A Ten Year Retrospective, 2007.
"Wood takes great care to prime his canvases, often four times over, and blends his paints in special ways to produce the satin finish to his skies. He also builds his pictures in such a way that once begun each must be finished in a single sitting which creates a tension that is emotionally draining." Ian Skelly, Christopher P Wood, A Ten Year Retrospective, 2007.
Signed oil on canvas.
"Wood takes great care to prime his canvases, often four times over, and blends his paints in special ways to produce the satin finish to his skies. He also builds his pictures in such a way that once begun each must be finished in a single sitting which creates a tension that is emotionally draining." Ian Skelly, Christopher P Wood, A Ten Year Retrospective, 2007.
"Wood takes great care to prime his canvases, often four times over, and blends his paints in special ways to produce the satin finish to his skies. He also builds his pictures in such a way that once begun each must be finished in a single sitting which creates a tension that is emotionally draining." Ian Skelly, Christopher P Wood, A Ten Year Retrospective, 2007.
$6,394.30
Ice Age I—
$6,394.30
Description
Signed oil on canvas.
"Wood takes great care to prime his canvases, often four times over, and blends his paints in special ways to produce the satin finish to his skies. He also builds his pictures in such a way that once begun each must be finished in a single sitting which creates a tension that is emotionally draining." Ian Skelly, Christopher P Wood, A Ten Year Retrospective, 2007.
"Wood takes great care to prime his canvases, often four times over, and blends his paints in special ways to produce the satin finish to his skies. He also builds his pictures in such a way that once begun each must be finished in a single sitting which creates a tension that is emotionally draining." Ian Skelly, Christopher P Wood, A Ten Year Retrospective, 2007.
