Pigs
Signed and dated mixed media on paper.
Including watercolour, gouache, pen and ink.
The hills of South Shropshire were a major setting of Farrington’s paintings, in particular the valley land around Brown Clee Hill. His vibrant palette – ‘pumped up’, as the artist Rigby Graham described it – gave rural idylls an edge: greens curdling to white, oranges dissipating into twinging pinks. Like Chagall, he had a preference for filling back- and foreground space with animal forms: birds saturating the sky like Giottesque angels, waters choking with fish, sheep and pigs looming large and as proud as the hills and mountains in the landscape around them.
Signed and dated mixed media on paper.
Including watercolour, gouache, pen and ink.
The hills of South Shropshire were a major setting of Farrington’s paintings, in particular the valley land around Brown Clee Hill. His vibrant palette – ‘pumped up’, as the artist Rigby Graham described it – gave rural idylls an edge: greens curdling to white, oranges dissipating into twinging pinks. Like Chagall, he had a preference for filling back- and foreground space with animal forms: birds saturating the sky like Giottesque angels, waters choking with fish, sheep and pigs looming large and as proud as the hills and mountains in the landscape around them.
Original: $3,244.26
-65%$3,244.26
$1,135.49Description
Signed and dated mixed media on paper.
Including watercolour, gouache, pen and ink.
The hills of South Shropshire were a major setting of Farrington’s paintings, in particular the valley land around Brown Clee Hill. His vibrant palette – ‘pumped up’, as the artist Rigby Graham described it – gave rural idylls an edge: greens curdling to white, oranges dissipating into twinging pinks. Like Chagall, he had a preference for filling back- and foreground space with animal forms: birds saturating the sky like Giottesque angels, waters choking with fish, sheep and pigs looming large and as proud as the hills and mountains in the landscape around them.
