Large Heath
Signed and numbered from an edition of 50.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
Signed and numbered from an edition of 50.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
$940.90
Original: $2,688.30
-65%Large Heath—
$2,688.30
$940.90Description
Signed and numbered from an edition of 50.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
