Large Sèrignac Landscape
Signed, titled and numbered.
Edition of 75.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
Edition of 75.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
Signed, titled and numbered.
Edition of 75.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
Edition of 75.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
$2,688.30
Large Sèrignac Landscape—
$2,688.30
Description
Signed, titled and numbered.
Edition of 75.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
Edition of 75.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
