Marquee - Buildwas Abbey
Signed and dated watercolour.
Typically of Graham, a quirky take on Buildwas Abbey Shropshire looming up behind the marquee which takes centre stage.
The artist has annotated verso; 'abandoned because of heavy rain...finished later.'
All Graham's watercolours are composed in situ with small additions sometimes being made in the studio.
Typically of Graham, a quirky take on Buildwas Abbey Shropshire looming up behind the marquee which takes centre stage.
The artist has annotated verso; 'abandoned because of heavy rain...finished later.'
All Graham's watercolours are composed in situ with small additions sometimes being made in the studio.
Signed and dated watercolour.
Typically of Graham, a quirky take on Buildwas Abbey Shropshire looming up behind the marquee which takes centre stage.
The artist has annotated verso; 'abandoned because of heavy rain...finished later.'
All Graham's watercolours are composed in situ with small additions sometimes being made in the studio.
Typically of Graham, a quirky take on Buildwas Abbey Shropshire looming up behind the marquee which takes centre stage.
The artist has annotated verso; 'abandoned because of heavy rain...finished later.'
All Graham's watercolours are composed in situ with small additions sometimes being made in the studio.
$940.90
Original: $2,688.30
-65%Marquee - Buildwas Abbey—
$2,688.30
$940.90Description
Signed and dated watercolour.
Typically of Graham, a quirky take on Buildwas Abbey Shropshire looming up behind the marquee which takes centre stage.
The artist has annotated verso; 'abandoned because of heavy rain...finished later.'
All Graham's watercolours are composed in situ with small additions sometimes being made in the studio.
Typically of Graham, a quirky take on Buildwas Abbey Shropshire looming up behind the marquee which takes centre stage.
The artist has annotated verso; 'abandoned because of heavy rain...finished later.'
All Graham's watercolours are composed in situ with small additions sometimes being made in the studio.
