Dine: Frozen and Bruised
From A Day Book by Robert Creeley.
Signed original screeprint. Edition of 200.
'Dine: Frozen and Bruised references a letter from the American artist describing an episode of transatlantic alienation which Kitaj might have felt echoed the hostility he sensed was afforded him by much of the British press: ‘I just returned from a football match, and I am frozen and bruised. My oldest son and I were thrown and crunched to the ground by a partisan crowd. These English are a queer bunch...’' Max Waterhouse, Goldmark Autumn 2022.
This suite was made in direct collaboration with the poet Robert Creeley and 'each print relates to a small block of text from Creeley's long prose poem, which recounts events of a single day interjected with disquieting private musings.' Jennifer Ramkalawon, Kitaj Prints, 2013.
From A Day Book by Robert Creeley.
Signed original screeprint. Edition of 200.
'Dine: Frozen and Bruised references a letter from the American artist describing an episode of transatlantic alienation which Kitaj might have felt echoed the hostility he sensed was afforded him by much of the British press: ‘I just returned from a football match, and I am frozen and bruised. My oldest son and I were thrown and crunched to the ground by a partisan crowd. These English are a queer bunch...’' Max Waterhouse, Goldmark Autumn 2022.
This suite was made in direct collaboration with the poet Robert Creeley and 'each print relates to a small block of text from Creeley's long prose poem, which recounts events of a single day interjected with disquieting private musings.' Jennifer Ramkalawon, Kitaj Prints, 2013.
Description
From A Day Book by Robert Creeley.
Signed original screeprint. Edition of 200.
'Dine: Frozen and Bruised references a letter from the American artist describing an episode of transatlantic alienation which Kitaj might have felt echoed the hostility he sensed was afforded him by much of the British press: ‘I just returned from a football match, and I am frozen and bruised. My oldest son and I were thrown and crunched to the ground by a partisan crowd. These English are a queer bunch...’' Max Waterhouse, Goldmark Autumn 2022.
This suite was made in direct collaboration with the poet Robert Creeley and 'each print relates to a small block of text from Creeley's long prose poem, which recounts events of a single day interjected with disquieting private musings.' Jennifer Ramkalawon, Kitaj Prints, 2013.
