Seagulls and Soldiers, Dover
Original etching, signed, titled and numbered in pencil.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
Original etching, signed, titled and numbered in pencil.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
$940.90
Original: $2,688.30
-65%Seagulls and Soldiers, Dover—
$2,688.30
$940.90Description
Original etching, signed, titled and numbered in pencil.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
