Zwei Reiter vor Rot
From the second edition printed under Kandinsky's supervision using the original blocks and issued in Paris for XXe Siecle in 1938 in an edition of 1200; although it is believed that many of these were destroyed during WW II.
The first edition was published in 1913 for ‘Klänge’ (Sounds) described by Kandinsky as a "musical album" where woodcuts, prose poems, and typography merge and complement one another in a symphonic synthesis.
The first edition was published in 1913 for ‘Klänge’ (Sounds) described by Kandinsky as a "musical album" where woodcuts, prose poems, and typography merge and complement one another in a symphonic synthesis.
From the second edition printed under Kandinsky's supervision using the original blocks and issued in Paris for XXe Siecle in 1938 in an edition of 1200; although it is believed that many of these were destroyed during WW II.
The first edition was published in 1913 for ‘Klänge’ (Sounds) described by Kandinsky as a "musical album" where woodcuts, prose poems, and typography merge and complement one another in a symphonic synthesis.
The first edition was published in 1913 for ‘Klänge’ (Sounds) described by Kandinsky as a "musical album" where woodcuts, prose poems, and typography merge and complement one another in a symphonic synthesis.
$4,170.43
Zwei Reiter vor Rot—
$4,170.43
Description
From the second edition printed under Kandinsky's supervision using the original blocks and issued in Paris for XXe Siecle in 1938 in an edition of 1200; although it is believed that many of these were destroyed during WW II.
The first edition was published in 1913 for ‘Klänge’ (Sounds) described by Kandinsky as a "musical album" where woodcuts, prose poems, and typography merge and complement one another in a symphonic synthesis.
The first edition was published in 1913 for ‘Klänge’ (Sounds) described by Kandinsky as a "musical album" where woodcuts, prose poems, and typography merge and complement one another in a symphonic synthesis.
